After three years of drawing ravers to grind in the gallery spaces of the King Plow Arts Center, Robert Shaw and Alan Sher have set up the permanent venue Terminal West in Studio C of the refurbished farm-equipment foundry. With high-grade sound and light systems built around a twenty-by-thirty-three-foot stage, wide concrete floors, three bars loaded with twenty-nine different canned craft beers, and a back patio facing the railroad tracks, the unce-unce dance party will be beating strong in Westside. But starting this summer, Shaw and Sher say music lovers of all ages and metronomic temperaments will find a reason to stop in. “The first few months have been electronic music; that was our network,” says Shaw. “But we’ve got reggae and bluegrass acts coming to use this amazing performance space. The goal is to diversify the audience.”
Photograph by Patrick Heagney
Tony Rehagen is our senior editor.
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