A goat chomping on nacho chips makes a highly distinctive sound. That’s why Tunewelders, a boutique music creation and audio production company, recorded an actual goat—stage name Moose, of Decatur—chowing down on chips when putting together an entry in a competition to create a Doritos commercial that would air during the 2013 Super Bowl.
Later this year, the roughly 500 artists who build, create, and essentially live at the Goat Farm will relocate to spaces in Castleberry Hill, Old Fourth Ward, downtown Atlanta, and other areas as the property begins a $250 million redevelopment. The transformation, which will add live-work units and a hotel, will allow the Goat Farm to expand its mission, the owner says.
In early may, Fulton County District Attorney Paul Howard announced that he will reopen one of the most notorious criminal proceedings in American history: the trial of National Pencil Company superintendent Leo M. Frank for the murder of child laborer Mary Phagan.
On August 22, Yacht Rock Revue returns to Piedmont Park for the fifth annual Yacht Rock Revival, where thousands of so-called Nation of Smooth faithful sing along to hits from Hall & Oates, Steely Dan, and other soft rock icons—some of whom show up to play alongside the ban
According to Bert Thornton, Waffle House’s vice chairman emeritus, the list of people trying to get into the WaHo biz is “very long and very distinguished.”
In early May, without much of a heads up to Atlanta City Hall, Bird, founded by a former Lyft and Uber executive, dropped off 200 of its electric scooters in the city. The electric vehicles—which include Lime, Spin, Ofo, Muving, and Relay—have since become fun, dangerous, exciting, annoying, revolutionary, and polarizing. What can Atlanta do?
Across the country, deaths of pedestrians are nearing historic highs, and Georgia and metro Atlanta are no different. According to the Atlanta Regional Commission, the number of collisions involving pedestrians and bicyclists in the 20-county metro region has risen sharply, from nearly 1,700 in 2006 to more than 2,500 in 2015—a 53 percent increase.
Little Women: Atlanta launched in January 2016, and now 1.3 million viewers tune in per episode. Is the drama provoked or organic? “The story is the story,” coexecutive producer Mark Scheibal says. “Obviously, we have to produce it, put them in situations that allow it to happen or amplify it.”
Race has always been the throughline in every significant discussion about Atlanta, but as the metro area grows ever more diverse, the story is much more than black and white