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From internationally renowned museums, orchestras, and dance and theater companies to inviting community centers and folk-life performances, visitors will discover an astonishing array of ways to experience Georgia’s vibrant arts scene and rich cultural heritage.
The High Museum Go West! exhibition traces the history of Western expansion with works from 1830 to 1930, in sections focusing on explorers, Native American objects and art, landscapes by Hudson River School artists like Thomas Moran, the significance of the buffalo, the romanticizing of cowboys and Indians alike, sportsmen, conservation, and the reservation era.
On her current world tour, she travels incognito, with only her closest handlers aware of her true identity. In Japan last year, she attracted more than a million fans. In San Francisco this spring, she demanded strategically placed soft lighting befitting an icon of a certain age.
In the Jazz Times review of his debut album, bassist Will Goble’s original ballad, “Blessed Unrest” is compared to classic collaborations by Stan Getz, Chet Baker and Bill Evans. Late Thursday night, Goble, 29, was attempting to articulate the compliment over the phone when his voice suddenly trails off.
Last night I talked with some of Atlanta's leading experts on contemporary art, design, and architecture. During our "Atlanta Embraces Modernism" panel discussion, they weighed in on whether the city reflects a modern spirit.
Artist Radcliffe Bailey, forty-two, is as close to a celebrity as the Atlanta art scene gets, with his iconic dandyish fedoras and glamorous it-coupledom with writer and TV soap star wife, Victoria Rowell. Even the High Museum—not known for consistently exhibiting local talent—is acknowledging his achievements, staging a major survey of his work, Memory as Medicine (through September 11).