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On Wednesday, a state senator tested positive for COVID-19, South Fulton implemented a curfew, and metro malls shutter. Here’s your Thursday morning update.
Though he’s best known as the thoughtful, politically-outspoken lead singer of R.E.M., Michael Stipe has long nurtured a fertile side career as a music and film producer, artist, and photographer. He'll discuss his photography as the Marquee Speaker for this year’s Atlanta Celebrates Photography.
U2’s intersections with Atlanta over the years have gone beyond the city as a requisite tour stop. For a band from Europe intent on deconstructing the myth of America, Atlanta—its imperfect icons, its musicians, its leaders—has been a specific, if rarely noticed, part of U2’s journey, not only for the city’s social justice movements of the past but for the present, too. In anticipation of U2’s first Atlanta concert in nine years, two generations of Georgians talk about the band.
Since its start as a rehearsal space for pioneering alt-rock band Pylon nearly 40 years ago, the 40 Watt Club in Athens has launched world-renowned local acts like R.E.M., the B-52s, Of Montreal, and Drive-by-Truckers, and hosted headliners from Snoop Dogg to Nirvana.
Despite a busy schedule, former Atlanta mayor and United Nations ambassador Andrew Young says he didn’t hesitate for a moment about participating in the Colbert Report finale. “Being there last night was part of what I call the Colbert phenomenon,” Young said Friday morning as he flew back from New York.
Comprised of archive footage from the MTV Vaults, this film follows Bill Berry, Peter Buck, Mike Mills, and Michael Stipe from playing in an abandoned Athens church to the breakthrough of their 1983 record Murmur to their breakup in 2011, with plenty of performances in between.
After reading our coverage today, Fox News reps have thoughtfully released a statement about R.E.M's cease and desist request after the cable news channel aired a portion of the Athens act's hit single, "Losing My Religion" this week during the Democratic National Convention.
R.E.M.’s beginnings were modest but extremely weird. I first saw the band in the spring of 1981 while working on a story about the then-burgeoning music scene in Athens, Georgia, R.E.M.’s hometown.