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The High Museum Go West! exhibition traces the history of Western expansion with works from 1830 to 1930, in sections focusing on explorers, Native American objects and art, landscapes by Hudson River School artists like Thomas Moran, the significance of the buffalo, the romanticizing of cowboys and Indians alike, sportsmen, conservation, and the reservation era.
Expect surprises when you elevate something to an art and get it down to a science at the same time. The creative collective MASS—an acronym of Music, Art, Science, and Social—unites two demographics who usually do not sit together in the school cafeteria: number-crunching geeks and dreamy-eyed bohemians.
Just in time for the city’s Pride celebration this weekend, Atlanta visual artist Philip Bonneau brings his 40-piece homage to childhood, the fourth and final “issue” of his Heroes & Villains series to life at Suite Spot in West Midtown. For a generation of kids raised on 1980s Saturday morning cartoons, Disney animated features and comic books, this exhibition is best viewed with a heaping bowl of Chocolate Frosted Sugar Bombs doused with cold milk. Just one week into the month-long show, half of Bonneau’s photographs are already sold (he’s donating proceeds from the show to Lost –n- Found Youth, Inc., the city’s year-old nonprofit whose mission is to take LGBT youth off the streets and into more permanent housing). Throughout the exhibition, Bonneau imaginatively recreates his favorite Marvel and DC comic book characters, Disney villains and many beloved Saturday morning TV favorites.
Well, the huge event of the weekend is Atlanta Pride, the celebration that started in the 1970s and just keeps getting bigger and better. The 2013 massive list of events includes parties, performances, an artists market, a Eucharist service, Lady Gaga-inspired yoga, workshops, films, a car and motorcycle show, and, of course, one hell of a parade. Piedmont Park and environs. atlantapride.org
Like a juicy divorce rumor circulating on Tuxedo Road, Southern Season, the exhibition by Atlanta photographer Harriet Leibowitz opening tonight at the Alan Avery Art Company, is certain to generate gossip and a few tantalizing texts. The thought-provoking, sexy, campy, and slightly scandalous show depicts what might be bubbling beneath the shiny surfaces inside the city’s social set. Essentially, it’s Southern Seasons magazine on a hit of acid.
Congested downtown commuters now have a new reason to look up from their texting as they idle to work on I-75/I-85 South — the downtown W hotel’s groundbreaking new film series, PIXEL, currently playing on a continuous loop on a 100-foot by 35-foot digital billboard in front of the hotel. The film by director Felipe Barral, now running its second 10-second episode, is already generating plenty of questions from commuters who don’t quite know what to make of the images. The first episode contained visuals of lush greenery and the second episode currently playing is merely a black and white silhouette, followed by an ominous man reaching out for something (or someone!) and a quick cut to a beautiful blond reacting in horror to something she’s just seen on her laptop. Spoiler Alert: it’s her dead father!
Three giant (as in building-sized) murals were installed in the King Historic District yesterday in the latest Living Walls effort to turn structures into canvasses. One such “canvas” is the former Henry’s Grill at 345 Auburn Avenue, where a small crowd turned out to watch an acclaimed muralist at work.