Tag: museums

When the National Center for Civil and Human Rights opened in 2014, it was a groundbreaking look into how Atlanta—and the South as a whole—shaped the civil rights movement in America. With interactive displays like a recreation of the sit-in at the Woolworth’s, visitors didn’t just learn about history; they experienced it. A decade later, NCCHR is now expanding by 24,000 square feet to offer an enhanced look into the history of civil rights in the American South, adding more event and classroom space to continue to engage with the community.

Small, independent museums like the Madame C.J. Walker Museum dot Atlanta, commemorating underrepresented or unique histories and art. They operate out of storefronts or houses and largely rely on a team of one, who keeps the museum afloat through donations or their day job. At the Walker Museum, Ricci de Forest charges a $7 admission, collects donations, and will sometimes cut hair right there in the museum to help keep things running.

Here’s a quick guide to Cartersville's big three museums—with shows to catch before they close, and ones you have a little more time to get to.

If you like IMAX, you’ll love Illuminarium, a new attraction on the city’s BeltLine. A 350-foot wraparound screen is enhanced by piped-in scents (like damp earth in the ongoing Wild: Safari Experience).

Since Southbound debuted in 2013, our staff and contributors have logged thousands of miles, consumed millions of calories, and taken countless notes and photos to showcase the very best destinations around the region. Although every place we’ve covered is special, some left a particularly powerful impression. Here, we give you the best of the very best, our favorite spots in the South.

From Kermit to Coraline, here's what adults will enjoy at the new Worlds of Puppetry Museum, opening Saturday.

In the Center for Puppetry Arts’ atrium, a coterie of America’s puppetry elite stand in a semicircle, contemplating an acrylic-encased Miss Piggy. The starry-eyed swine sports the feathery boa and sarong she wore in 1996’s Muppet Treasure Island, her curlicue locks blonde as ever. “She’s beautiful,” says Bonnie Erickson, who created Miss Piggy and now directs the Jim Henson Legacy. “She gets better and better.”

To hear Akbar Imhotep, one of the rotating storytellers here, weave a Brer Rabbit tale is to witness a maestro preserving an almost lost art form.

Grab your camera!