Now in its fifth year, Art on the Atlanta BeltLine is the largest temporary public art exhibition in the Southeast, according to Elan Buchen, the BeltLine’s coordinator for art and design. This year, visual arts installations stretch not only along the Eastside Trail but also along six more miles of future BeltLine trails along the southeast and westside corridors.
A few years ago, Isaac Hopkins was browsing Wikipedia when he came across an entry for the 1969 “Jimmy Carter UFO Incident.” As many people presumably would, Hopkins found the notion of the then-gubernatorial candidate seeing a UFO in Leary, Georgia, before addressing a Lions Club International meeting hilarious. His next reaction was a little less conventional: “This could be a musical.”
When True Colors Theatre Company asked Chris Coleman to direct his old friend Kenny Leon and the luminous Phylicia Rashad in the 1975 play Same Time, Next Year, the former Atlantan and cofounder of Actor’s Express first thought, “Oh my God, that’s kind of random.” Then he became titillated by the thought. “Getting the job of making Kenny Leon make out with Phylicia Rashad —come on! Who is going to turn *that* down?”
As The Seed & Feed Marching Abominable, Atlanta’s iconic kooky community marching band struts into its 40th anniversary today at the Inman Park Festival parade, the act has a souvenir for fans. To celebrate four decades of silliness, the band’s fundraising arm, the Seed & Feed Marching Abominable Endowment, Inc., a 501c3 nonprofit, is selling the act’s brand new 2015 "Naughty Bits" calendar.
There are myriad tales of people making deals with the devil, but they all share similar endings (spoiler alert: bad things happen). Although the outcomes are predictable, we’re still drawn to these cautionary fables, the most famous of which is the chronicle of a certain Dr. Faust and his misguided barter—an eternal soul for fleeting youth.
After Kenny Leon directed Denzel Washington in the 2010 revival of August Wilson’s Fences, they made a pact: The Atlanta director and the Hollywood titan would continue to work as a theatrical team. So not long ago, Leon told Washington it was time to make good on that handshake.
For Atlanta fans of Trey Parker, Robert Lopez and Matt Stone’s Tony Award-winning musical The Book of Mormon, this week’s ice capades have proven scarier than the show’s “Spooky Mormon Hell Dream” number. With today’s temps promising to melt the last of the ice, the most-anticipated show of the current Broadway in Atlanta season at the Fox Theatre will — fingers crossed — finally get on stage tonight at 7:30 after the show’s producers scrapped Tuesday’s opening night and Wednesday’s media night performances. To accommodate things, producers have added an additional Monday 7 p.m. performance of the show, which, in turn, has snowballed into another headache. The Book of Mormon cast had set aside Monday night Feb. 3 (the show’s one dark night) to contribute their time and talent to Crush: A Valentine to the 90s, a benefit cabaret to raise money for the Atlanta meals on wheels nonprofit Open Hand and Broadway Cares/Equity Fights AIDS at the Woodruff Arts Center. The cabaret has now been cancelled and organizer Kevin Ireland says cabaret ticket holders will be contacted beginning today.
Six months before his 1980 assassination, John Lennon took his four-year-old son Sean on vacation to Bermuda while wife Yoko Ono ran the family business back home in New York. For nearly five years, Lennon’s guitar had hung, unstrummed, on a wall above the couple’s bed. He canceled his subscription to Billboard, learned how to bake bread, and became a househusband and stay-at-home dad for Sean.
This is it folks. Thanksgivingkuh is passed and the sugar plum fairies are fast upon us. As you enjoy the rest of the long weekend and before full holiday madness descends, here are a few ideas for getting out of the house, or, more importantly, getting those holiday guests off of your couch.