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Whitespace gallery owner Susan Bridges and Living Walls founder Monica Campana on what Atlanta's artists' community needs and what the future holds.
Monica Campana, who launched Living Walls in the wake of the Great Recession with only $4,000—kickstarting a mural movement in the city that eventually would attract international artists—has witnessed the power of public art in trying times.
In a time when we’ve been ordered to socially distance, people are still finding a way to connect with their neighbors through various forms of art.
J.R., the French street artist whose large-scale public installations of black-and-white photos of everyday people in everyday places have covered buildings and even villages, is returning to Atlanta. Here's how you can be a part of his latest project.
Maricela Vega's complex "modern Mexican" dishes are often entirely plant-based and always Instagram-worthy. She currently hosts pop-ups at the Spindle and LottaFrutta, and hopes to eventually open a bodega where she can give back to her community.
In 2016 Monica Campana, the cofounder and executive director of Atlanta street art festival Living Walls, and Marian Liou, the founder of We Love BuHi, a social media love letter to Buford Highway, met while applying for fellowships at downtown’s Center for Civic Innovation. Soon after, they decided to partner and bring Living Walls to Buford Highway.
Peter Ferrari wanted to stress the importance of organizing and taking action. Quianah Upton focused on food access. Shannon Palumbo found inspiration in the words of Allen Ginsberg. On Thursday, massive banners painted by these Atlanta artists—along with roughly 30 other painters, poets, and musicians— were rolled out from East Atlanta to Castleberry Hill.
Young adults have always commanded a certain amount of attention. Wide-eyed, unseasoned, and often commitment-free, they’re generally more willing to take risks and disrupt the status quo. But millennials have had an especially scrutinized turn in the cultural spotlight.
For the past year and a half, Atlanta painter Sarah Emerson—who has worked with Living Walls and Whitespace Gallery—has been filling 72-by-76-inch canvases with undulating waves and dark pools, along with wide-open eyes, colorful spikes, stylized tree branches and clouds, and other images.
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