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J.R., the French street artist whose large-scale public installations of black-and-white photos of everyday people in everyday places have covered buildings and even villages, is returning to Atlanta. Here's how you can be a part of his latest project.
Maricela Vega's complex "modern Mexican" dishes are often entirely plant-based and always Instagram-worthy. She currently hosts pop-ups at the Spindle and LottaFrutta, and hopes to eventually open a bodega where she can give back to her community.
In 2016 Monica Campana, the cofounder and executive director of Atlanta street art festival Living Walls, and Marian Liou, the founder of We Love BuHi, a social media love letter to Buford Highway, met while applying for fellowships at downtown’s Center for Civic Innovation. Soon after, they decided to partner and bring Living Walls to Buford Highway.
Peter Ferrari wanted to stress the importance of organizing and taking action. Quianah Upton focused on food access. Shannon Palumbo found inspiration in the words of Allen Ginsberg. On Thursday, massive banners painted by these Atlanta artists—along with roughly 30 other painters, poets, and musicians— were rolled out from East Atlanta to Castleberry Hill.
Young adults have always commanded a certain amount of attention. Wide-eyed, unseasoned, and often commitment-free, they’re generally more willing to take risks and disrupt the status quo. But millennials have had an especially scrutinized turn in the cultural spotlight.
For the past year and a half, Atlanta painter Sarah Emerson—who has worked with Living Walls and Whitespace Gallery—has been filling 72-by-76-inch canvases with undulating waves and dark pools, along with wide-open eyes, colorful spikes, stylized tree branches and clouds, and other images.
Atlanta’s emerging public art scene is exciting—murals and installations enliven our city and make it more engaging, and yes, they draw outsiders to parts of town that might otherwise be overlooked. But the controversy over the Krog Tunnel underscores the need to balance arts promotion and the concerns of communities that serve as the backdrops for street art.
When I moved to Cabbagetown a couple of years ago, I quickly learned what it means to be “on the other side of the tracks.” Literally. For those of us who live south of the CSX and MARTA rail lines that slice through the heart of intown Atlanta, getting around can be problematic.
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