Archives
Alan Abramowitz Is the Oracle of Emory
In September 1988, more than a month before Election Day, Alan Abramowitz accurately predicted George H.W. Bush would win 53 percent of the popular vote. He has successfully forecasted every presidential race since.
Abramowitz—Emory’s Alben W. Barkley Professor of Political Science—devised a formula weighing the incumbent’s midyear approval ratings; second-quarter GDP growth; and the “time for change factor,” his most innovative variable, which includes how long the current party has controlled the White House. He issues forecasts in late summer, and his margin of error has been two percentage points, akin to that of Gallup polls taken days before the election.
So what’s his forecast for November 6? President Obama will win the popular vote by about 1 percent. “I’m estimating Obama only has a two-thirds chance of winning, and the margin will be very close,” he says.
In 2008 the South became less likely to vote as a bloc, and three states—North Carolina, Virginia, and Florida—are now battlegrounds. While Georgia is solidly red in presidential races, Abramowitz says greater Atlanta is actually Democratic, and as the area’s population grows and continues to become more diverse, it is likely Georgia will be a swing state a few elections down the line. In the meantime, his advice for election night 2012: Be prepared to stay up late.
Photograph courtesy of Emory. This article originally appeared in the November 2012 issue.
May We Recommend…
| IF YOU LIKE… | THEN GET TO KNOW… |
| The Allman Brothers Band | Atlanta Rhythm Section, the onetime Doraville studio session band that released more than a dozen albums, peaking with 1978’s Champagne Jam, or the Georgia Satellites, known for 1980s hits “Keep Your Hands to Yourself” and “Hippy Hippy Shake.” |
| Ray Charles | Willie Lee Perryman, aka Piano Red, aka Dr. Feelgood, was known for his raucous “barrelhouse blues,” while “Blind Willie” McTell, master of the twelve-string guitar, recorded under multiple aliases, including “Pig ’n’ Whistle Red.” |
| R.E.M. | Dreams So Real was part of the 1980s Athens alt-rock scene and, like Marietta’s Guadalcanal Diary of the same era, racked up plenty of college-radio airplay. |
| Alice Walker’s The Color Purple | Youngblood by John Oliver Killens, who was born in Macon and cofounded the Harlem Writers Guild, chronicles daily life in small-town Georgia, while Walter White’s The Fire in the Flint was a critically acclaimed account of a lynching. |
| Flannery O’Connor’s A Good Man Is Hard to Find short-story collection | The stories in Mary Hood’s collection How Far She Went are set in the small-town South and won the Flannery O’Connor Award for Short Fiction, while Drinking Coffee Elsewhere,the acclaimed debut by ZZ Packer, draws on Packer’s Atlanta childhood. |
| Pat Conroy’s The Great Santini | Instead of Conroy’s autobiographical novel about being raised by an abusive father, sample The Last Radio Baby, Raymond Andrews’s memoir of growing up in a Georgia sharecropping community in the 1930s and 1940s, or Be Sweet: A Conditional Love Story, Roy Blount Jr.’s bittersweet memoir about his mother. |
| Anne Rivers Siddons’s Peachtree Road | A big family secret (bigamy!) is at the center of Tayari Jones’s Silver Sparrow, while Southern traditions are challenged in Susan Rebecca White’s Bound South. |
This article originally appeared in the November 2012 issue.
PROMOTION
Purchase these and other recommended titles in our Amazon store
The Southern Staycation
So you’ve got out-of-town guests who came south looking for moonlight and magnolias. Where do you take them for a dose of local color in a metropolitan place like Atlanta? Here’s where:
ROSWELL Looking for white columns? Visit three historic houses in Roswell: 1) Bulloch Hall, circa 1839, was built by the maternal grandparents of President Theodore Roosevelt, who were also great-grandparents to Eleanor Roosevelt. 180 Bulloch Avenue, bullochhall.org 2) Barrington Hall, a Greek Revival mansion, was completed by the town’s cofounder, Barrington King, in 1842. Serving as headquarters for a Union general during the Civil War, the house remained in the original family until 2002. 535 Barrington Drive, barringtonhall-roswell.com 3) Archibald Smith Plantation Home, circa 1845, belonged to wealthy cotton farmers. The grounds include slave quarters, a cook house, and other original outbuildings. 950 Forrest Street, archibaldsmithplantation.org
Swan Coach House The ladies who lunch may no longer wear white gloves, but they still dine on frozen fruit salad, cheese straws, and swan-shaped meringues in a floral-papered dining room. The restaurant supports the Forward Arts Foundation, a key benefactor of Atlanta’s visual arts scene since 1965. While you’re on the grounds, be sure to visit the Atlanta History Center and the Philip Trammell Shutze–designed Swan House. 3130 Slaton Drive, 404-261-0636, swancoachhouse.com
Beverly Bremer Silver Shop You don’t have to know an epergne from an eggcup to gawk at the glass cases and felt-lined wooden drawers inside this nearly forty-year-old institution. It’s where your momma could’ve selected her wedding flatware, which is exactly the point. 3164 Peachtree Road, 404-261-4009, beverlybremer.com
The Wren’s Nest This Queen Anne Victorian abode was the home of Joel Chandler Harris from 1881 to 1908. An associate editor of the Atlanta Constitution, he was better known for authoring the Uncle Remus books, based on African American folk tales. The museum contains many original furnishings and now serves as an educational center dedicated to African American storytelling. 1050 Ralph David Abernathy Boulevard, 404-753-7735, wrensnestonline.com
Martin Luther King Jr. National Historic Site You’ll want to start with the visitors center, but the highlights of this district include MLK’s childhood home and Ebenezer Baptist Church, where he was baptized, served as pastor, and was memorialized at his funeral. The sanctuary has been restored to its 1960s appearance, when MLK and his father were copastors. The historic district is along Auburn Avenue, once known as “Sweet Auburn, the richest Negro street in the world.” 404-331-6922, nps.gov/malu/index.htm
Mary Mac’s Tea Room This sixty-seven-year-old institution is beloved for both its authentic regional fare (fried chicken, collards, fried okra, etc.) and its quirky traditions, like free potlikker for first-timers and pencils for customers to check off their own orders. Goodwill Ambassador Jo Carter will likely stop by to give you a back rub. 224 Ponce de Leon Avenue, 404-876-1800, marymacs.com
Oakland Cemetery Shaded by magnolias and scented by camellias, this Victorian-era cemetery is the final resting place of six governors and twenty-seven Atlanta mayors, including Ivan Allen Jr. and Maynard Jackson; notables like Bobby Jones and Margaret Mitchell; and unnamed paupers. The elaborate monuments and mausoleums—such as the famous “Lion of Atlanta” marking the graves of 3,000 unknown Confederate soldiers—and verdant landscape were designed to inspire the living as well as honor the dead. 248 Oakland Avenue, 404-688-2107, oaklandcemetery.com
Margaret Mitchell House Tara was purely fictional, but Gone with the Wind tourists can visit the apartment where Mitchell and her husband John Marsh lived while she wrote the novel. The rest of the Tudor Revival building is now a literary center. 990 Peachtree Street, 404-249-7015, margaretmitchellhouse.com
Paschal’s Restaurant Though no longer in its original location, this soul food restaurant was the meeting place for civil rights leaders. Its La Carousel Lounge often hosted entertainers like Aretha Franklin, Ramsey Lewis, and Dizzy Gillespie. 180-B Northside Drive, 404-525-2023, paschalsatlanta.com
Photograph of Oakland Cemetery by Ren Davis. This article originally appeared in the November 2012 issue.
How to Dress Like a Southern Gentleman
Who is this mythical Southern Gentleman we’ve heard so much about? If the archetype is to be believed, he always has a glass of sweet iced tea ready for the parched, never talks politics at the supper table, can turn a barren field into a cash crop with the touch of his shovel, charms ladies with a single smile, and wears fine clothes that subtly communicate his intellectual and cultural sophistication. While we’ve never met that guy, we’d sure love to dress like him. As it turns out, two of the South’s most distinctive haberdashers operate within a few hundred feet of each other in Westside. Sid Mashburn came here by way of J.Crew and Ralph Lauren; Billy Reid’s past clients include Neiman Marcus. Both are darlings of GQ. Atlanta magazine sent me—a Louisiana native who usually writes about food—to each with a simple request: Dress me for a cocktail party. Behold, the Southern male, interpreted.
Billy Reid (left)
The aged leather chairs, heirloom mirrors, and antique marble tables in Billy Reid’s Atlanta location are
the first indications that you’ve arrived in the lap of Southern hospitality. The eighth location of Reid’s Florence, Alabama–based namesake operates at the laid-back, measured pace of an afternoon on the porch. Store director Brent Homesley, a North Carolinian who left his career as a teacher to work with Reid, offers his sharp eye for patterns and combinations. Whereas Mashburn’s look is crisp and preppy, Reid’s tends
to be softer and busier. When I mentioned that few men my age know how to tie a bow tie, staffer Kendall Stowell replied, “I’ll teach them.” 1170 Howell Mill Road, 404-994-3144, billyreid.com
Fashion Notes:
The bow tie, which never fell out of fashion in the South, is enjoying a renaissance. Don’t be afraid of wearing pattern on pattern, but look for complementary colors. Reid carries silk ties—from busy stripes to subtle dots—that are appropriate year-round. But if you really feel compelled to wear that pink madras patchwork bow tie from your college girlfriend, please wait until after Memorial Day.
A lightweight gingham shirt is suitable for nearly any occasion or season, says Homesley. “It’s like a Southern picnic table—just as classic.”
The patient artisan was venerated in the South long before handcrafted everything became the current Brooklyn vogue. Fine details, like the buffalo-horn buttons on this coat, are the recognizable signs of careful craftsmanship.
Let’s face it, the South is simply too damn hot for socks in the summer. Once you get accustomed to the comfort of a bare foot in a fine leather shoe, you’ll want it all winter too. It’s a point where both Mashburn and Reid agree.
Clothing Shown Here:
All private label: Heirloom Campbell patch navy suit, $1,395; John T blue and white shirt, $185; Classic orange and gray bow tie, $95; Bowery camel coat, $1,195; Gulch loafers in Stone, $395
Sid Mashburn (right)
Stepping into the boutique Mashburn opened in 2007 is like finding out you’re a member of a fashionable country club you didn’t even know existed. Before I could say “pocket square,” a dapper guy in tortoiseshell glasses was handing me a cold beer and flipping the Mighty Hannibal LP on the turntable. Tailors worked sewing machines in the back as I browsed Laguiole pocket knives, Allyn Scura eyeglasses, and the double monk strap shoes bench-made in England exclusively for the store. Soon Mashburn himself showed up, leaning on the Ping-Pong table and talking vintage cars and English film. Sporting the high-hemmed pants and bare ankles that have become his trademark, it was soon apparent he had the sharpest eye in the clubhouse. 1198 Howell Mill Road, 404-350-7135, sidmashburn.com
Fashion Notes:
“I like rules,” Mashburn explains, suggesting that a white shirt should be worn at a formal cocktail party after dark. Southern etiquette dictates respect for tradition. On the other hand, bending those rules is as customary as sneaking bourbon into Sanford Stadium. “Like speed limits,” he explains, “they don’t mean an experienced driver can’t speed.” Still, a younger guy with long hair, like myself, would do better to play it straight, he advises.
With a conservative outfit, the details can be disheveled: a wrinkled pocket square, an askew tie, and so forth. Casual elegance is what makes it Southern, Mashburn says. “We’ll be comfortable in anything we put on.”
The alligator that gave its life for this belt isn’t the only native connection. “There is a Southern desire to pass on heritage,” Mashburn says. “An alligator belt should certainly make it to the next generation, almost like a watch. It’s exotic, expensive, and not just something to keep your pants up. It’s an heirloom.”
Mashburn says high pant hems were popularized by the Duke of Windsor, who abdicated the British throne in 1936 to marry the stylish American divorcee Wallis Simpson. The jet-setting royal introduced a number of innovations: “One was wearing suede shoes in town, another was unbuttoning the bottom button of a suit vest, and he didn’t have a break in his trousers. That tends to make you look a little taller.” The clean look of an unbroken pant leg, as well as double monk strap shoes with no socks, is both rakish and refined. It’s what Rhett Butler would wear now.
Clothing Shown Here:
All private label: Navy blazer, $895; white oxford pop over, $145; red, navy, and ivory wool flannel stripe tie, $125; black alligator Conroy belt, $325; gray wool Donegal trousers, $295; black cap-toe double monk strap shoes, $595
Photographs by Alex Martinez. This article originally appeared in our November 2012 issue.
Q&A with Natasha Trethewey
With Emory professor Natasha Trethewey named poet laureate of the United States, discussions of Southern identity get a higher profile. Trethewey, who won the Pulitzer Prize in 2007 for her collection Native Guard, was born in Mississippi and grew up in Atlanta. She explores history from a singular perspective: Her birth certificate designates her mother as “colored.”
What are your plans? My mission will be to bring poetry to as many people as possible and show them how it can matter in their lives. I’ll be developing a national project that I hope will reach even the people who don’t think of themselves as poetry lovers.
Do you think of Atlanta as a Southern city? Yes, it’s the seat of the always changing, ever-improving New South, which fascinates me.
How has your upbringing informed your work? I’m always interested in how the public and the personal connect. As an intersection of the Civil War and the civil rights movement, Atlanta offers so many historical moments in which to consider that basic obsession. It’s funny to me that the first word most people associate with my work is memory. There’s this thinking that women write about memory while men write about history, which is a bigger term. I prefer to say I write about history, the public and personal, and the South offers so many wonderful contradictions in both.
If you had to select one poem that sums up the region, what would it be? Walt Whitman’s “O Magnet-South.” It captures the beauty and the ugliness.
Photograph by Joel Benjamin. This article originally appeared in the November 2012 issue.
Being a Good Host
In the South, entertaining is a blend of politeness and protocol. Both formal and casual gatherings reflect our upbringing, our sense of pride in our homes, and the value we place on family and friendships. We asked noted Georgia hosts to reflect on Southern hospitality, current practices, and traditions that are starting to disappear.
“You want everyone to feel like they’re special. Company is not a burden; company is a pleasure. Vince is an extremely wonderful host in that he is always outside greeting people. [When they leave] he walks everybody out of the house to the car. I try very hard to spend time with everybody, one on one . . . When we first moved to Athens, I remember at four o’clock one afternoon this lady rang my doorbell, and she was all dressed up in her hat and gloves. She walked in and she had her calling card. She said, ‘Where is your calling card bench?’ I said, ‘What?’ I didn’t even know what a calling card was. That introduced me to [entertaining in Georgia] real quickly.” —Barbara Dooley, author, media personality, real estate agent, and wife of Vince Dooley, former football coach and athletic director at UGA
“Southerners grow up with that mentality of extending a kind handshake, a smile across a picket fence. My children [ages sixteen, thirteen, and ten] are being raised that if someone comes in a room, to stand up and extend a hand. My kids have been known to greet people at the door and ask them if they can get them a drink. I want people to feel comfortable, and I want them to leave feeling like they had a great night.” —Danielle Rollins, author, cofounder and chair of several Atlanta charities
“My mom is from Little Rock, Arkansas. She’s really big on making sure that everyone who comes over is entertained. I just learned growing up how important it was to treat people right. That directly correlates to what I do. It’s important to give people more than a party; you give them an experience. The most important thing that I can give them is a memory . . . You cater to the ladies. I make sure that at every party, I give out [drinks] to different groups of girls. If the ladies are having fun, they’re on Twitter, they’re on Facebook, they’re posting pictures on Instagram.” —Cecil Cross II, owner of C. Cross Events, an event planning and marketing firm that has collaborated with celebrities such as Usher, Erykah Badu, Ludacris, Kevin Hart, and Outkast
“We’re losing a lot of those gracious gestures that we grew up with, like sterling flatware. A lot of younger Atlantans no longer have sterling flatware. Oftentimes that’s a decision not based on the cost, but just because they don’t want to bother with having to polish it. When you’re entertaining, you want to make that extra effort. A hallmark of Southern hospitality is incorporating family heirlooms, because in the South, we revere our ancestors. It’s bringing your history into how you entertain.” —Jennifer Boles, style blogger at thepeakofchic.com and House Beautiful contributing editor
“Sitting down at a table and having a great conversation, that’s what I like the most. It’s ‘What book are you reading? Have you seen any good movies lately?’ You try to stay away from politics and religion . . . People who live in the South are also very gracious about sending handwritten thank-you notes.” —Peg Balzer, patron (with husband Bill) of Theatrical Outfit and other Downtown nonprofit organizations
This article originally appeared in the November 2012 issue.
Holler for Collards
When I was a kid, I would drive a spike through my eye before eating a bowl of collard greens. Truth is I didn’t even lay eyes on collard greens until I moved to Atlanta when I was twenty-seven, which, some would mistakenly say, is not a kid but an adult. I do remember, though, that upon my first glance of collards, all steamy and stewed in a pot on my friend’s mother’s stove, I thought I’d spew like a busted beer keg. Later, at the table, I let the bowl of collards pass by me. “Eat it, it’s fresh,” my friend’s mother insisted. I declined because I wasn’t raised to eat vegetables. I wasn’t even really raised to eat meat. In fact I think I am proof that children can survive solely on salt and sugar. By the time I moved to Atlanta, my diet consisted entirely of chocolate, cheese, and alcohol.
You might think that the reason was because my mother and father could not find the time to feed my sisters and me properly when they themselves were so busy, the former working all day, and the latter pretending to do the same, which is a lot of effort too. The fact is, though, that there were a few sustainable food items in our house. I remember a head of cabbage that once appeared in our kitchen. We gathered around it like it was a small meteorite that had landed out of the blue. My father had been on one of his kicks, such as his bread-baking kick, which resulted in a bunch of dense loaves wrapped in tinfoil, stacked like bricks on the counter. Or his Key lime pie kick, which resulted in a bunch of dense pie plates wrapped in tinfoil, stacked like hubcaps in the refrigerator.
This particular kick, the one with the cabbage, was a relish-making kick. He had purchased a used Cuisinart from the bankrupt restaurant next to his favorite bar and spent the next several days shredding vegetables and putting them into jars with vinegar and lemon juice. When we moved later that year, we left it all behind: the untouched jars with vegetables suspended in fluid like dead frogs in formaldehyde, the Cuisinart on the counter crusted with old cabbage and carrots, the tinfoil-wrapped remnants of past kicks. It was like the scene of a serial killing.
That was in California, where I was born. My father was from the South but never made it back here. Perhaps if he had eaten more vegetables rather than sealing them in jars, he would have. I did make it, though, and I called myself a vegetarian by then, because chocolate, cheese, and alcohol make a meatless diet after all. But some misunderstood me to mean that I actually ate vegetables, which is how I happened to end up with a plate of them in front of me one day. It was at the Inman Park art festival in the late 1990s, and I had somehow finagled a booth by convincing them I was an artist. Seeing that I was constrained by my responsibilities as “artist vendor,” a friend graciously brought me lunch. It was a container of hot food from Eats on Ponce de Leon. I had never been to Eats because they didn’t serve anything from my three food groups there, so I was reluctant to open the container. And when I did, my reluctance was confirmed. Inside were collard greens. My friend, another Southern mother, sensed my disappointment and insisted, “Eat it, it’s fresh!” I was starving and trapped, and unless I grabbed a funnel cake from a passing child, this was my only option. I took a bite.
I think it was at that precise moment when I went from being Southern Californian to Southern, period. To say the taste was merely delicious would dampen the impact of the moment. It was not merely delicious, it was stupendously delicious. It was transformative. It was so delicious, it was all I could do to keep from rising from my seat to address the crowd, like a singer in a corny musical.
It took years, but I finally learned to make collards myself, a process that entails about a day of labor if you do it right. And get this: My kid really likes them. She even brought other kids home to taste them. I was warmed by this. It made me think of my dad, how hard it must have been to be a Southerner raising a Californian, because here I was now, a Californian raising a Southerner. Any little sign that I’m succeeding is wrapped in rice paper and pressed in the pages of my heart. “Your friend may not like collard greens,” I told my girl that day. “She’ll like your collard greens,” she told me. Boom. It was at this moment, this precise moment, that I went from being the mother of a Southerner to being a Southern mother.
Illustration by Peter Arkle. This article originally appeared in the November 2012 issue.
The State of Biscuits in Atlanta
Biscuits have been keystones of the Southern table for more than a century. Before air-conditioning, they were beloved for their short baking time, which didn’t overheat the kitchen. In Culinary Ephemera, William Woys Weaver notes that biscuits became a calling card of the Bible Belt in part because they were leavened using baking powder rather than yeast, which is associated with alcohol. Still one of the emblems of the South, they’re now fashionable in hipster cities like Seattle and Portland, Oregon.
Biscuits don’t carry much cachet in Atlanta, though. Sure, you can find them in restaurants, but they don’t command center stage the way they do in, say, North Carolina, where locals start their mornings at breakfast spots like Biscuitville, a popular multilocation chain. Atlanta’s food artisans tend to look beyond the South, embracing European pastries or dolling up all-American treats like Pop-Tarts.
The biscuit most often associated with our city is, of course, the sturdy union of flour, butter, half-and-half, and heavy cream developed by chef April Moon for the Flying Biscuit Cafe. Former waitress Delia Champion, Emily Saliers of the Indigo Girls, and other partners opened the Candler Park original in 1993, and lines still trail out the doors on weekends. An indie joint no more, the business has been sold, and twelve additional franchises now operate throughout the South. I view its regular biscuits strictly as a delivery system for the cafe’s more justifiably famous cranberry-apple butter. I much prefer the restaurant’s soft, fragrant, whole-wheat iterations.
Don’t get me started on biscuits found in meat-and-threes and cafeterias. I cringe when I hear the question, “Do you want biscuit or cornbread?” I know what awaits me at the bottom of the metal bin: a zombie biscuit. These quick breads have a fleeting lifespan. No sooner are they out of the oven than they start deteriorating, their spirit departed by the time they cool.
Restaurants that use biscuits in dishes often bake ginormous variations suited for stuffing or slathering with sausage gravy. I am, for example, a big fan of the oft-imitated Comfy (an open-face homemade biscuit with fried chicken and sausage gravy) at Home Grown in Reynoldstown, but I’m not as enamored of the biscuit on its own with a pat of butter and a slick of grape jelly. The opposite is true for the fluffy, delicate buttermilk biscuits at Empire State South—perhaps the best in the city. Though they can be sandwiched with fried chicken or pimento cheese, they are at their most enjoyable when simply split in half and slathered with whipped butter and housemade preserves. The finely textured biscuits at Java Jive on Ponce de Leon are tender and simple, matching the restaurant’s retro virtues.
The border of Marietta and Kennesaw seems to be the one corner of the metro area where several biscuit-focused establishments thrive. The Red Eyed Mule, a charmingly scruffy breakfast-and-lunch cafe in Marietta not far from Kennesaw Mountain, holds the most appeal. Cooks pull trays from ovens throughout the morning and fill the gently brown biscuits with slivers of country ham, sausage (either pork or chicken), or bacon, egg, and American cheese. You won’t find a microwave on the premises; they destroy texture. If you spy a staffer in any restaurant pressing buttons to reheat these nuggets of Southern pride, run the other way—or at least ask him to stop. Even a cold biscuit is preferable to a nuked one.
Photograph by Caroline C. Kilgore. This article originally appeared in the November 2012 issue.
The Appeal of Country Ham
Chef Ryan Smith cures meat in the basement beneath Empire State South. Three flights below the reclaimed wood and dim lights that dominate the Midtown restaurant’s farmhouse-chic interior is a climate-controlled menagerie of sorghum sausages, fat mortadellas, and other charcuterie hanging from delicate lengths of string. Most striking are the country hams, whose aged skins have developed the rich patina of antique wood furniture. Some hams have just begun curing this month, stuffed in a cooler and encrusted with salt. A few others will continue to age for as long as two years. It isn’t often that a chef focuses so much care and attention on an item that won’t appear on the menu until 2014.
Country ham, the humble staple of the prerefrigeration South, has emerged as the next darling of pork-obsessed chefs. Last decade, artisanal bacon was such a craze that it jumped the shark right into a bottle of flavored vodka. Then pork belly (the fatty, uncured source of bacon) showed up stuffed in buns and wrapped in lettuce leaves. Six years ago, David Chang of New York’s Momofuku restaurants began devoting a section of his Ssäm Bar’s menu to tasting plates of country ham: uncooked, paper-thin ribbons arranged with the same reverence typically lavished on Spanish Jamón Ibérico or Italian prosciutto. Similarly unadulterated presentations—showcasing country ham’s balance of salt and fat, its silky texture, and its rich tang—are now in vogue across Atlanta. Holeman and Finch Public House and Empire State South serve plates of country ham cured in-house for as long as two years. Southern Art’s ham bar offers a selection of porcine beauties as carefully curated as a fine-dining wine list. Charcuterie plates are pervasive, and country ham arrives on them as a distinctly Southern signature.
But don’t expect the taste of these prized slices to show up in gimmicky mass-production vodkas. Cooks can sizzle pork fat to order, and bacon can be cured in as quick as a week’s time. The rich, raw complexities of country ham, though, require a simple but slow process that isn’t suited to the whims of fashion. For many Southerners, the words country ham conjure up the salt slabs of industrial pork that land on diner plates with a side of redeye gravy. That product, beloved though it may be, is the result of U.S. farming industrialization after World War II. Pigs were confined, treated with antibiotics, and bred to grow exponentially faster. Country ham makers folded by the hundreds while mechanized plants developed a new product that traded subtleties for a one-note, uniform ham. They taste much like a saltier, more pungent version of the ubiquitous baked spiral ham.
Cured ham is a global tradition whose two steps—salt curing followed by dry aging—date back to the Romans in 160 BC, and probably earlier. A country ham is often cured with salt and sugar for about thirty days, smoked, and then aged. A fattier ham can be aged longer without drying out, amplifying the flavors as more time passes. Country ham makers like Tennessee’s Allan Benton, who resist efforts to accelerate or cut corners on that tradition, have become the food’s celebrated saints.
What makes country ham truly country is the animal that gives its hind leg for it. Thus the search for superior country ham has become the search for the superior country hog. In Spain, where Jamón Ibérico has reached that echelon of foods whose reputations alone can inspire pilgrimages, tourists flock to the western part of the country where Ibérico hogs are raised, like a Napa Valley of pork. The distinct marbling of Ibéricos, which you can sample at restaurants like the Iberian Pig in Decatur, means a single ham can fetch hundreds of dollars. During the nineteenth century, as Virginia’s cured hams were developing into what would be known as Smithfield ham, the breeds were most likely Berkshire and Hampshire hogs who foraged and fed largely on a fat- and protein-rich diet of peanuts grown on nearby farms.
Perhaps no breed of pig has become as mythologized and coveted among country ham aficionados as the Ossabaw Island hog, a genetically pure breed of Ibérico pigs that has been isolated on an island off the coast of Georgia for nearly 500 years, brought over with the earliest Spanish explorers. Bev Eggleston, who both raises pigs and cures hams for EcoFriendly Foods in Virginia, has been breeding relocated Ossabaws since 2002. The pigs have desirable fat reserves, but years of inbreeding have left them dwarfish and ornery. Eggleston has bred the Ossabaw with Red Wattle and Farmer’s Cross breeds, creating hybrids that have more commercial promise. They could be the beginning of a country ham program as sophisticated and focused as the Spanish one, but the process is slow. Including time for curing and aging, it could take three years for one of Eggleston’s hogs to travel from the field to a plate.
The long lead time makes country ham a gamble for chefs, who are all too aware of fads and the fickleness of diners. One of Empire State South’s hams can be gone in as quick as a week once it hits the menu. Smith says that they’ve yet to achieve a rotation of curing and aging that can keep up with demand. That’s still a far cry from the heights of popularity that have defined Jamón Ibérico, though. Linton Hopkins of Restaurant Eugene says, “Whether it will get to the level of Spain, I don’t know. But I think Southern chefs are starting to understand that you don’t have to spend a thousand dollars on a Spanish product to get great ham.”
Photograph by Jennifer Davick. This article originally appeared in the November 2012 issue.
